Hello, Phoenix.

It's been a hectic few months so I haven't posted an update here in a while, so I have a lot of catching up to do. (I plan to start frequent updates again, I've just had a whole lot on my plate lately.)

At the beginning of April, my girlfriend Cat and I relocated to Phoenix, Arizona. I had lived in the valley for about 5 years in the past, and absolutely loved it. After about 6 years back in New Hampshire, there were many elements of desert-living that I missed more and more, and was growing increasingly stir-crazy and ready for a change. Sometime around the second blizzard into the winter, we decided it was time to make that change, and started making arrangements. Early in the morning on April Fools Day, we loaded all our combined possessions into a 16-foot box-truck, loaded my little Kia onto a trailer on the back, and began our cross-country drive.

Upon arrival, we moved into half of a split-floorplan house in a nice suburban-ish section of North Central Phoenix called Moon Valley... We both lucked-out on the job-front, and were able to sorta-kinda "transfer" our existing jobs- I'm working behind the bar at a sushi/ Japanese/ nightlife spot in North Scottsdale called Sapporo that happens to be owned by the same company as the bar I worked at in Nashua, and Cat is working for an eye doctor in the Camelback Corridor.

Besides the "how we pay the bills" nuts-and-bolts, we are here primarily in order to advance our "actual" careers as working artists, in a scene and cultural-climate that I have always felt to be more exciting, vibrant, inclusive, and inspiring than that of the Boston area. (no offense to my New England people who are working hard and getting shit done, it's just an entirely different vibe here. I feel like desert cities have a sort of "wild wild west" take on creative endeavors- almost everyone's from somewhere else, so there's always a refreshing sort of "you're doing something interesting? Sweet! How can I help?" vibe that tends to be lacking in older-school, more established communities where everything's about how well you follow certain rules and who you happen to know.)

Despite a VERY busy couple months getting settled in and situated, we're well underway diving headlong into those sorts of goals. Here's a quick run-down of current and future projects in the works-

We've revived The Green Sea, a side-project act that I had maintained for a couple of years before leaving the valley the first time around and continued to collaborate with across the country during the intervening time. This former experimental side-project has now become our primary band- a high-energy, live-show-focused electro-punk trio. I'm on lead vocals and guitar, Wes Hopeless is playing synths, sequencers, and general electronic-wizardry, and Cat is on live electronic-percussion and keytar. We aim to be ready to start playing out with a spastic set of fun new songs by the end of the summer. In the meantime, like us on Facebook and check out some teaser-content that we're dropping a little bit at a time.

Cat and I have also begun work on an additional musical-project, a bar-entertainment cover-duo called Urban Forestry. Check out some basic info on what that's going to entail here.

In the meantime, we've both also been hard at work our various sorts of visual-art contents... check out my Etsy site at LeVautour to peruse some recent works of that sort. 

In writing-news, I have finally almost finished editing the book-project I've been working on writing since I finished grad-school... Look for updates on that soon. 

New solo-music and art.

I've added a second track to my slowly-evolving first solo-record (tentatively titled {ironically untitled}, without the pretenses of project-title, concept, experimentalism, etc... this one is simply intended to eventually be a stripped-down collection of songs that I would actually want to listen to. As strange as it sounds, with as many records as I've been involved with the release of (8 or so in the past 5 years, I think?) I've never actually done that.




In other news, I have new listings at my Etsy shop... and my "make an offer" liquidation-sale for friends and acquaintances is still underway, so email me if you want to barter or work out alternate delivery before you order.

Updates, art, etc.

A few updates...

My acoustic duo, Old Vine, is working on 3 simultaneous demo-records, and posting new content regularly to our Bandcamp page as they become available. One is our "real" EP, Cavernous Spaces... an album of original-material and original-arrangements of creative covers.

The second is a live-demo of covers from our bar-entertainment set, called Voodoo-Folk Live; B-Sides and Covers.

 The third is a record of oddball remixes of our tracks, called Voodoo-Folk Reconjured!

So... Listen, "like", and follow us on Twitter.

We are currently in the process of sculpting our content for two different sorts of sets, both as bar-entertainment, and playing original content in music-venues. We are always for hire, so book us as entertainment for your bar/ event/ party, or to play creative indie-rock shows in your performance-space. Email for details.



I've also re-started an old habit of posting video-demos of new songwriting material to my youtube channel... Here's a brand new one.

In other news, I'm having a sort of "friends and family" liquidation-sale at my Etsy site. If I know you personally, or you're "local" enough to know who I am in any sort of personal way, message me personally before making an offer on any pieces that you might want from my site... I have WAY more of my own material on the walls of my studio than I would like at the moment, so any reasonable offer will be considered.

Old Vine audio...

Old Vine is now on Bandcamp. That means... Lots of listenable Voodoo-folk audio for your ear-bulbs!

If you visit our site, you'll notice there are two records currently up on it. Both are works-in-progress at the moment... "Cavernous Spaces" is our forthcoming EP... original music, and a couple of original arrangements of creative covers. "Voodoo-Folk Live; B-Sides and Covers" is... pretty much how it sounds. An evolving collection of live covers and alternate takes. Alternately, "Cavernous Spaces" is our "actual" record, and our demo aimed at concert-venues, "Voodoo-Folk Live" is our demo as a bar-entertainment duo. Together, they should showcase pretty thoroughly what me and Mickey do as Old Vine.

Cavernous Spaces-




Voodoo-Folk Live-




We are currently also looking for suggestions as to where YOU'D like to see us play. (not just the city... we get lots of "play in Nashua/ Manchester/ Boston!" requests; we're looking for more specific suggestions... like, what bars or venues would you come out to see us play at?) We have two alternate sets- a longer bar-entertainment set (mostly covers), and a shorter, venue-focused set (mostly originals). Versatility is my favorite aspect of this particular act.

More Old Vine...

Old Vine  returns this Wednesday to Great American Tavern in North Reading, Massachusetts. (We are resident there every week, but the first one was different than most because we were up against World Series Game 1 [an interesting challenge], and the second was cancelled because of the sixth and final game of that series [go Sox!]... so this is our first "normal" week of our stint there.).

Here are some clips from our first night there...

"Like" us on Facebook, say "yes!" to the venue's event-invite, come down, drink some beers, sing along!

Voodoo-Folk!

"Old Vine"... details, explanations, etcetera.

OK, here goes something I told myself in the past that I'd never do.

I recently played a benefit-show, as a duo with my friend Mickey Fearon... it was for a good cause; we put together a 3-hour set of eclectic and entertaining covers, peppered with a few originals, to entertain a crowd aimed at helping out a friend in need. This was done somewhat spur-the-moment, with very little preparation.

Surprising to both of us, this worked out pretty well. Somehow, this collaboration turned into an actual "thing." That "thing" is now called Old Vine.

Here's the thing. Me and Mickey have been friends for a while, but we have pretty opposite tastes and musical-backgrounds. Turns out, that works out pretty well. Mickey is a classic-rock kid, I'm an indie-rock kid. I'm a jazz guy, Mickey digs the blues alot. Mickey learns covers note for note as a guitarist and NAILS them, I'm a performer first-and-foremost with a background in original music in concert-venues; I hadn't played or learned any cover at all in YEARS. Turns out, we balance each other out well. My weaknesses in regards to what we're doing are Mickey's strengths, and vice-versa.

Somehow, this odd outfit landed a residency.

We're playing Wednesdays, starting this week, at Great American Tavern in North Reading, Massachusetts. 8:30 to 11:30.

Sure, we're playing acoustic bar-rock. But I promise- our set is WEIRD. Me and Mickey's ideas of "standards" are VERY different... which should make for an interesting experience for just about any sonic-palette. We seriously cover everything from Cab Calloway to Outkast to Johnny Cash to Death Cab to Clapton to M.J. to Kanye... and pretty much everything in between. Expect to hear some hippie shit, expect to hear some hipster shit. All in the same set, mixed with stuff your grandmother might whistle along to. I'm not kidding. And then we mix an original tune in just to mix it up a bit. 

So, come out on some Wednesday and hang out. It'll be fun. And "like" us on Facebook... and check out some videos from that first event that got this all started...

New Music (Tonal Couture, Solo-stuff, Snazzmobb)

A few music updates. I've been pretty busy as a musician lately. Here's some stuff I've been working on.

Snazzmobb is still plugging away at refining our set, now that we've finally settled into a refined bass/ drums/ keys trio arrangement... we're currently polishing edges and editing our press-kit, hoping to start shopping it to venues and promoters soon. I'm not going to lie, it's been a tumultuous year for the outfit, with quite a few strange setbacks befalling the initial lineup I set up a year ago this month, with the intent to fast-track the act to playing out quickly and often by mid-winter of last year. Through that time-period, we ended up writing a set three times longer than it needed to be, featuring songs from all the various phases of the band's still young, yet already rocky, lifespan. That long-form set meandered and wandered, was probably interesting in some ways, but not at all moments what we had initially set out to do. We've recently sliced that set by a third, leaving the content that reflects what we sound like NOW, and we're really happy with what we're almost ready to unleash. Accordingly, the demo that we recently released already feels outdated, as it was recorded as a duo with a bit of a different focus... I hope to drop some sort of an accompanying single soon to demonstrate the current feel of our content.

I recently also started playing with a downbeat instrumental dub act on the seacoast, called Tonal Couture. This project is POLAR opposite from Snazzmobb, and I LOVE that. While the snazz is a rambunctious, high-energy, venue-focused dance act, Tonal Couture is super relaxed and ambient, better suited for swanky martini-lounges and chill-out-rooms. It's fun to play, and fun to listen to. We record our sessions, and we've made select cuts available on our Bandcamp page, as part of the possibly-fictitious un-album (quickly becoming a bizarre future box-set of some sort), called "Future Rarities and B-Sides Without A-Sides." There are 12 tracks up at the moment... check them out, and enjoy.



Also, I've started working on a post-LeVautourEnsemble phase of solo-content. This time around, I'm using my own name (well, sorta... I'm dropping this stuff as "Bernard LeVautour," which is how I've usually billed myself in recent musical-projects) and promising myself to drop the "experimental" schtick and finally make music that I would actually want to LISTEN to. Expect sparse, down-tempo electro-jazz type stuff, mostly... because that's what I tend to actually be most into. Here's the first track I dropped to debut that sort of content...