Project-update post, Part 3- Visual Art.

After a hectic holiday-season, I finally got my Etsy shop back up to date.

There are currently 41 items for sale there... some are made-to-order prints, others are one-of-a-kind originals... all are part of my "5 Icons" series... Which is a project that I'm calling "finished" for the time-being, with the exception of special requests or custom commissions.

Ideally, I would prefer not to have the original versions of the stuff I make prints of in my own possession... So I'm going to try to not start a new series of prints for the shop until I can liquidate some of the one-of-a-kind stuff. (There's a whole lot more original stuff hanging on the walls of my studio that isn't up here because it's not from this series that I'd be MORE than happy to sell/ barter. Email me if you're interested in seeing some additional offerings or if you're looking for something in particular.)




(If you're local to the New Hampshire/ greater-Boston area, please get at me directly before ordering from the Etsy site to see if I can possibly save us both some shipping/ surcharges/ hassle.)

An Unorthodox Album Release...

I have a new album out and available now... in a totally different form and format from how I usually release material.

This one's called "Bernard LeVautour- Vulture From the Vaults {a live dj-set of unreleased rarities and back-catalog cuts}"

A physical, limited-run pressing is available via my Etsy site-

Click here!

A blurb from the liner-notes, to explain a bit about what it is-

"I haven’t quite figured out yet if this is intended to be a CD that’s packaged in an art-print, or an art-print that comes with a CD. So let’s call it, somehow, both. 

The print is a limited-edition digital/ photo-reproduction rendering of a painting called “5-icons,” the only place where all five images from my “Iconography” series appear in the same space.

The album is a single-take live-mix. It’s dirty. It’s messy. It was recorded direct to Type II cassette-tapes on an ancient Tascam 4-track, because that seemed appropriate, as there’s material in this mix that dates back far enough that we were using those things without irony.  Much of the mix is improvised, and I broke a turn-table and plowed my way through a whole slew of other technical issues throughout the mix. 

I wanted to release some sort of compilation of my own unreleased back-catalog cuts and rarities from my musical past, but I wanted to do it in such a way that wouldn’t enshrine or fetishize moments  from the past. Therefore, this mix is often in some ways somewhat irreverent. In terms of mixology, my impulse veered often toward stubbornness- the highest quality, best-known, most successful recordings dropped into this mix tend to be the ones that I made the largest effort to dirty up and in some cases possibly even “ruin” into unlistenable noise, while allowing certain cuts from far more obscure past-projects that most won’t even know I worked on to spin clean, almost undisturbed. 

Basically, this is just a filthy mess that I felt like I needed to get out. For some reason, I feel better now that I did." 

For $15 you get both the limited-edition print, and the disc that's mounted into the back of the frame.
 

Snazzmobb content-teaser.

As I mentioned at the end of the last entry, I do have a third project-installment update coming, about visual-art. Soon.

In the meantime, though, I have a couple more music-related updates to tack onto the last post.

First, my band Snazzmobb now has a sample-track from our forthcoming demo-EP streaming on Youtube!

This song was inspired by a spam-bot that was harassing the band's Twitter account (@Snazzmobb) mercilessly for a while. We got literally HUNDREDS of messages a day for about a month that just read, "Real People; Real Sex!" (followed by a link that we're not quite dumb enough to open.)