When I posted the entry, I regretted that I wasn't able to post the photographs that the piece makes frequent reference to as accompaniment to the prose. They were all captured before I had switched my photography primarily to digital, the hard-copies were buried somewhere at the back of an over-crowded storage-unit, and I was posting from Arizona at the time, making it impossible to recapture the image in a more accessible medium (not to mention I was under the assumption that the sign had long since been removed from its haphazard home against the building.)
Since I've returned to Manchester, however, I've been pleasantly surprised to find that the sign still sits discarded in the same spot. Sara Jane and I took a stroll through the millyard recently with our cameras, so I'm now able to add some supplementary images to the earlier essay that had lacked them prior.
Enjoy.
Stay tuned, I plan to post some more of the set tomorrow. The rest of the building is interesting and relevant as well. In keeping with one of the predominant themes of the essay, this is definitely a sort of a study in the interdependence of certain concepts of "beauty" and "decay."
