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Phoenix, Arizona, United States
musician...artist...bartender...writer...quasi-academic-freelance-literary-something-or-other...rabble-rouser... beat-builder...connoisseur-of-crazy-critical-theory...etc.
Showing posts with label promo. Show all posts
Showing posts with label promo. Show all posts

Tuesday, March 19, 2013

New Snazzmobb content!

My new band Snazzmobb posted a new video-teaser yesterday. This is the second released track from our forthcoming demo-EP "The Violent Taste of Hot Sauce." (watch the first one, "Real People, Real Sex," here.)

This one's the only content that we didn't write in our current set (ready to debut live soon... peel your eyes.) This is an original medley arrangement, with all due respect and reverence to His Purple Highness.

Enjoy, and feel free to share with your friends.



Tuesday, January 22, 2013

An Unorthodox Album Release...

I have a new album out and available now... in a totally different form and format from how I usually release material.

This one's called "Bernard LeVautour- Vulture From the Vaults {a live dj-set of unreleased rarities and back-catalog cuts}"

A physical, limited-run pressing is available via my Etsy site-

Click here!





A blurb from the liner-notes, to explain a bit about what it is-



"I haven’t quite figured out yet if this is intended to be a CD that’s packaged in an art-print, or an art-print that comes with a CD. So let’s call it, somehow, both. 


The print is a limited-edition digital/ photo-reproduction rendering of a painting called “5-icons,” the only place where all five images from my “Iconography” series appear in the same space.


The album is a single-take live-mix. It’s dirty. It’s messy. It was recorded direct to Type II cassette-tapes on an ancient Tascam 4-track, because that seemed appropriate, as there’s material in this mix that dates back far enough that we were using those things without irony.  Much of the mix is improvised, and I broke a turn-table and plowed my way through a whole slew of other technical issues throughout the mix. 


I wanted to release some sort of compilation of my own unreleased back-catalog cuts and rarities from my musical past, but I wanted to do it in such a way that wouldn’t enshrine or fetishize moments  from the past. Therefore, this mix is often in some ways somewhat irreverent. In terms of mixology, my impulse veered often toward stubbornness- the highest quality, best-known, most successful recordings dropped into this mix tend to be the ones that I made the largest effort to dirty up and in some cases possibly even “ruin” into unlistenable noise, while allowing certain cuts from far more obscure past-projects that most won’t even know I worked on to spin clean, almost undisturbed. 


Basically, this is just a filthy mess that I felt like I needed to get out. For some reason, I feel better now that I did." 



For $15 you get both the limited-edition print, and the disc that's mounted into the back of the frame.