For those of you who follow me on various forms of social-media, this might seem like old news... but it's time to finally officially announce my new band- Devil Grass.
Devil Grass came together in early September of this year, thanks to the hard work, vision, and determination of our bandleader/ frontman, Michael Roberts. Somehow, within mere months of relocating to Phoenix from the New Jersey/ Philly-area, Michael had assembled a four-piece lineup of players who had all recently relocated from the East Coast. (If you understand the nod to that irony in our name, you win a prize. Message me.)
Devil Grass is a Phoenix-based desert-rock/ dark alt-country act.
We are-
Michael Roberts- Vocals and guitar (New Jersey)
Joshua Motley- Keys and vocals (Kentucky)
Bernard LeVautour- Bass and backing-vocals (New Hampshire)
Craig Codrington- Drums and percussion (Vermont)
We played a series of three low-key, but super-fun, testing-the-water sort of live-shows over the last couple weeks... Look for information about a more elaborate and larger-scale "official" live-debut soon. It'll be fun, I promise.
As for "sound" and "content," we're going into the studio in mid-January to record our first single (peel your eyes), but in the meantime, check out this teaser-video we put together from some press-kit demos we tracked recently... This one's a cover of a Misfits song.
Follow us on social-media for full and regular updates, and fun behind-the-scenes content...
I have a new video out this week. This one's for the track "Houseful of Cats (...and it's complicated)" from my forthcoming solo-record "Future-Tense.". Check it out!
I've been continuing to add new tracks for streaming and download from that record to my Bandcamp site as well.
I've also been posting a whole lot of new visual-art content on my Etsy site, including some props and set-pieces built for the new video above... and there's still a little bit of time left to get orders (in most circumstances) delivered by Christmas, but that time is running out... and original art and quirky decor makes phenomenal gifts!
Having just returned from a somewhat tumultuous trip back east, I'm sitting at a Phoenix coffeehouse, loving being back in such a vibrant city, and excited for making fun and positive things happen for our future here... so I figured it was a good time for an update.
The Green Sea has changed formats yet again... because... why not? What we've been doing lately is some sort of live-improv noise that usually falls in a somewhat electro-punk-meets-comedy-rock vein. Basically, we've found that we thoroughly enjoy playing extended-sets without content, making absolutely everything up on the spot... which naturally incurs some hilariously unpredictable lyrics and sudden genre-shifts. We now have a site on Bandcamp, where you can stream or download loads of various fun content... We currently have four records up there- our debut EP from 2006, two live-improv mixtape records, and an ongoing collection called "...bits and pieces..." that houses lots of stuff that hasn't shown up or been appropriate for any of the other albums.
I've also begun working on a solo-record... (at the moment it's separate from the electro-jazz album I mentioned in the last post, but time will tell... I've got a few tracks from it up on my personal Bandcamp account since relocating to the desert... This is an indie-rock record at its core. I'm making the dusty, wild-west rock songs that occur to me, without trying to sculpt them into any particular context. This record is a snap-shot into my mind at the moment, as it evolves... It's called "Future Tense."
More tracks, and some videos, from that will be shortly forthcoming.
And as always, new original art, prints, customized instruments, stickers, t-shirts, etc. are being added almost daily to the Etsy site where I sell my visual-art work... I've been pretty productive in that regard lately...
My acoustic duo, Old Vine, is working on 3 simultaneous demo-records, and posting new content regularly to our Bandcamp page as they become available. One is our "real" EP, Cavernous Spaces... an album of original-material and original-arrangements of creative covers.
We are currently in the process of sculpting our content for two different sorts of sets, both as bar-entertainment, and playing original content in music-venues. We are always for hire, so book us as entertainment for your bar/ event/ party, or to play creative indie-rock shows in your performance-space. Email for details.
I've also re-started an old habit of posting video-demos of new songwriting material to my youtube channel... Here's a brand new one.
In other news, I'm having a sort of "friends and family" liquidation-sale at my Etsy site. If I know you personally, or you're "local" enough to know who I am in any sort of personal way, message me personally before making an offer on any pieces that you might want from my site... I have WAY more of my own material on the walls of my studio than I would like at the moment, so any reasonable offer will be considered.
Old Vine is now on Bandcamp. That means... Lots of listenable Voodoo-folk audio for your ear-bulbs!
If you visit our site, you'll notice there are two records currently up on it. Both are works-in-progress at the moment... "Cavernous Spaces" is our forthcoming EP... original music, and a couple of original arrangements of creative covers. "Voodoo-Folk Live; B-Sides and Covers" is... pretty much how it sounds. An evolving collection of live covers and alternate takes. Alternately, "Cavernous Spaces" is our "actual" record, and our demo aimed at concert-venues, "Voodoo-Folk Live" is our demo as a bar-entertainment duo. Together, they should showcase pretty thoroughly what me and Mickey do as Old Vine.
Cavernous Spaces-
Voodoo-Folk Live-
We are currently also looking for suggestions as to where YOU'D like to see us play. (not just the city... we get lots of "play in Nashua/ Manchester/ Boston!" requests; we're looking for more specific suggestions... like, what bars or venues would you come out to see us play at?) We have two alternate sets- a longer bar-entertainment set (mostly covers), and a shorter, venue-focused set (mostly originals). Versatility is my favorite aspect of this particular act.
Want to play the coolest key-rig in the business? My band Snazzmobb is looking to fill a hole in our live-lineup. We are looking for a consummate, energetic performer to join our show, to spazz out behind this contraption while filling in some holes in our live sound. While a skilled keyboard player would be the ideal fit, this role, to be perfectly honest, is not particularly musically challenging if the right person doesn't choose to make it such. First and foremost, we are looking for an absolutely electric performer with a basic working knowledge of music, the ability to push buttons and follow directions. Someone who is, say, usually a guitarist, with a good sense of rhythm and the desire to put on an explosive show, could be as good a match for this role as someone with professional synth experience. Job responsibilities would involve playing some very basic keyboard parts (many of which are already written) on this rig, which is extremely simple and easy to use (it's built from a mid-'80's Casio- an ultra dummy-proof keyboard.). Additionally, this person would be responsible for controlling a rack of assorted noise-making junk... pushing play-buttons on sampling-devices, cuing loops, etc... basic tasks that would free up the hands of other members, to allow us to do more of our trademark spastic performing and less gear-juggling and button-jockeying. All such tasks are carefully and clearly documented on extensive set-notes ("$nazz-Note$") that we meticulously (compulsively?) update following each weekly session. This act has been practicing primarily as a bass/ drums/ vocal/ noise duo for the past several months, following some complications with the original lineup that was put together in the Fall of 2012. With this arrangement, we have an entertaining set of songs written, a demo, a press-kit, and a stage-rig, all nearly complete and ready to start booking shows, waiting mostly on finding the right person to fill this particular role. We also collaborate remotely with a cast of talented individuals for song-craft, sample-production, etc, such as Adhesiveslipper (Noise-wizard/ Headhat Records bossman), Sammie Ryan (Sinestetici), etc.
Ideally, this act will perform live (hopefully soon) as an extremely high-energy bass/ drum/ keys trio. Despite the stage-rig built extensively out of modified pieces of mannequins (this keyboard rig is just one of several elements that work within a coherent visual theme) this is most definitely NOT a concept-art project. Our goal is is merely to entertain people, to make weirdos dance, to offer audiences a crazy good time, to turn concert-venues into really wacky parties while we play. If this sounds like something you could get passionate about, you might be the person we're looking for. If so, we practice on Friday mornings, usually 10:30 to 2 or so, in Hudson, New Hampshire. Email me at bernard.levautour@yahoo.com if you're interested in giving it a try. Feel free, of course, to share this with your friends if YOU'RE not who we're looking for, but you think you might know someone who is.
In the meantime, here are a couple examples of the sort of thing we're doing, a couple teaser-videos we've dropped with some content from our forthcoming demo "The Violent Taste of Hot Sauce"-
My new band Snazzmobb posted a new video-teaser yesterday. This is the second released track from our forthcoming demo-EP "The Violent Taste of Hot Sauce." (watch the first one, "Real People, Real Sex," here.) This one's the only content that we didn't write in our current set (ready to debut live soon... peel your eyes.) This is an original medley arrangement, with all due respect and reverence to His Purple Highness. Enjoy, and feel free to share with your friends.
As I mentioned at the end of the last entry, I do have a third project-installment update coming, about visual-art. Soon. In the meantime, though, I have a couple more music-related updates to tack onto the last post. First, my band Snazzmobb now has a sample-track from our forthcoming demo-EP streaming on Youtube! This song was inspired by a spam-bot that was harassing the band's Twitter account (@Snazzmobb) mercilessly for a while. We got literally HUNDREDS of messages a day for about a month that just read, "Real People; Real Sex!" (followed by a link that we're not quite dumb enough to open.)
The new Yeasayer disc, “Fragrant World,” is not technically a sophomore release (it’s actually the band’s third studio-record). However, it faces many of the same fabled pressures of an act’s second album, as it is the follow-up to 2010’s universally-acclaimed “Odd Blood,” which catapulted the group to “It-band” status (recent releases by Animal Collective and The Dirty Projectors, among others, face similar pressure.)
Yeasayer navigates this potentially-tense moment in their career brilliantly with “Fragrant World.” If the record lacks “Odd Blood”’s urgency (which to my ears it definitely does- there’s little if any of “Mondegreen” or “O.N.E.”’s edgy dance-rock here), this is instead a more confident, reflective, mature Yeasayer. Comparatively, this record is almost ‘laid back’… but not in a bad way.
To my ears, the most notable aspect of this album’s interest is the instrumentation. Yeasayer has managed something many musicians might find unthinkable here- somehow, they’ve stripped even more of the ‘organic’ instruments from their mix (I can only locate a couple brief snippets of sound of this disc that I’m entirely confident are made by guitars) while making a record that I would be FAR less comfortable describing as ‘electronic’ than their last. This is not a synth record, this is not an electro record, this is DEFINITELY not a dance or EDM record. This is a well-written psychedelic indie-pop record constructed largely from a palette of ‘What the hell makes THAT noise?’ sounds.
My solo musical outfit, LeVautourEnsemble, has just released our second record, "Machinique Meltdown," on the world-infamous Headhat Records!
Like the first LeVautourEnsemble record, (2010's long-delayed "...whose wings are a dull reality"... as well as Tipsy Cougar's notoriously chaotic 2011 album "Immaculate Conceptions" and a ton of other awesome and awesomely-odd stuff) this one is available to download for FREE/ donation through the "webhat" imprint. Download it here.... now. Because I said so. I mean, it's free, what do you have to lose??
Predictably, this record is an odd one. It's sorta-kinda a concept-record. It's sorta-kinda a response to a perverse challenge (I like challenges). It's sorta-kinda a hip-hop record (?!?) (emphasis on the sorta-kinda). It's sorta-kinda a whole bunch of things that it's really not at all.
As many who know me personally are probably aware, I get a strange sort of thrill from finding new odd-ball accolades for my press-kits ("... like a young CC Deville wielding an out-of-control fire-hose," anyone? "...mystical..."? lol) Well, from this one so far I've gotten an absolute GEM courtesy of Headhat label-boss/ noise-beat virtuoso Adhesiveslipper. (as if I needed MORE reasons to love Headhat to death.) This record, apparently... "has the headiest liner-notes of any record we've released so far." I'll take it! Thanks Dan! (To the rest of you, please take that as a challenge to listen to this record and give it the most out-there review [good, bad, outraged, indifferent, wtf, whatever]. It probably deserves it, and I'd love to hear what you think.)
Since I know that very few people even OPEN the file with the liner-notes in it for digital-downloads, I may as well just post those notes here, give you a taste of what this thing is about, what you're getting your eardrums into with this one....
LeVautourEnsemble- Machinique Meltdown
“Machinic, a word that does not exist, translates the French machinique, the adjectival form of le machin, a gadget, a watchamacallit.”
This footnote from editor/ translator Robert Brinkley’s notations to Gilles Deleuze and Felix Guattari’s 1975 essay “What Is A Minor Literature?” provides part of the title and a sort of a point-of-departure for this collection of songs and sounds.
This album was spawned as an outlet for a meltdown of various sorts, in the immediate aftermath of a graduate-literature program which found me, by the end of the final semester, deeply immersed in attempting to understand and apply the critical-theory of Delueze and Guattari to a variety of research, writing, and art projects... resulting in a sort of troubling void where Deleuzian concepts such as rhizomatic mapping, deteretorialization, assemblages, “becoming,” and, of course, the ever-elusive “machinique,” acquired vast degrees of personal resonance on many different levels.
The resulting album was initially intended as a concept-record about varying sorts of apocalypses. In its finished form, in many ways it is this indeed... though, in true Deleuzian form, in a far more confusing, meandering, and easily-misunderstandable way than initially intended. You could probably refer to each resulting “song” on this short album as a “Plateau,” (and you probably wouldn’t be entirely wrong)... but I’d kind of prefer that you didn’t.
This album was recorded between January 2011 and December 2011, primarily at the LoftDeLeVautour, Portsmouth, New Hampshire. All instruments, sounds, voices, noises, etc were performed, created, and/ or mutated and heavily manipulated by Bernard P. Provencher LeVautour.
Again, in true Deleuzian fashion, I choose to refuse to explain anything about any track on this album with any further degree of detail within these notations.
For a taste of the record, as your download is downloading, and a taste for the accompanying video-footage (If I remember right, there's some sort of video or other for the vast majority of the tracks on this record if you visit my Youtube channel)... here's the intro-track, and the outro-track. Believe it or not, I totally feel that, over the course of the record, the transition between the two begins to make a little bit of sense.
We've currently got the entire forthcoming record streaming for free on Soundcloud. AND... two of the tracks are available there for a limited time as free downloads! Take a listen, share with your friends.
Pull Trouble From The Fire, the band that I've been playing with, that I spoke of in the last entry, is making yet more gradual moves to step out from the shadows and become a tad less secretive. (Click on the band's name to check out the Facebook page, and click "Like." You know, if you're into that sort of thing. Which you are.)
We dropped a teaser-video and some photo-content this week.
Enjoy.
{Special thanks to Macalastair Ming of Tipsy Cougar for stopping by our hideout to catch some video-footage and photos at practice.}
Since this summer, I've been playing, for the first time in a very long time, with an actual band, that actually practices, with an actual functional lineup (whoa, right? I know, strange). We've been keeping it pretty well under-wraps up until now (and I'm certainly not going to pull the curtain back all at once)... but the first hints of that band are now on Facebook. Stop by and "Like" us... because you WILL. And you'll want to have the inside scoop as soon as more content starts to drop... I promise.
To be perfectly honest, I had been actively avoiding joining a new "real" band for quite a long time... but these guys approached me at a time when I REALLY needed an outlet, so I agreed to sit in with them, see what they were up to... and, honestly, they turned out to be far too good to not become more seriously involved with. No joke. And as most of you know, I'm pretty damn jaded about most "bands" (hence all the solo/quasi-solo-projects intended to question conventions like "listenability"...This one isn't like that.) Like whoa.
