...about...

My photo
Phoenix, Arizona, United States
musician...artist...bartender...writer...quasi-academic-freelance-literary-something-or-other...rabble-rouser... beat-builder...connoisseur-of-crazy-critical-theory...etc.
Showing posts with label journalism. Show all posts
Showing posts with label journalism. Show all posts

Sunday, February 27, 2011

Pull Trouble From The... OCD Diaries...

Pull Trouble From The Fire's recent teaser video has been used as a "mood music" sort of soundtrack-clip to an entry on Bill Brenner's very cool and ultra-informative blog The OCD Diaries.

Check out the entry here... and take a read, this blog is really fascinating.



Also, Mr. Brenner has issued a challenge to the band for more content, and we love challenges, so, in due time, we will be more than happy to comply.

(tangentially, I have no idea whether or not this had anything to do with the selection of the video or the issuing of this challenge, but it definitely crossed my mind while reading the blog that there might be more than a bit of common-ground between the subjects discussed there and the tone and content of Pull Trouble's songwriting...  we definitely have tended to veer, thus far, toward subject-matter that has to do with quirks of the way the human mind functions... or [more often, rather] has trouble functioning...  whether accidentally or not, then... it seems an appropriate match to me...)

(P.S.... baby-step-goals to get back into active music promo- I'm trying to get that video to hit a triple-didgit view-count by the end of the weekend, which would be {by far} the first on the Asbjorn Collective Youtube channel. Help out, share it with your friends? Please? Maybe?)

Tuesday, July 7, 2009

What IS LeVautourChronique? ( A Mission-Statement, Expanded Scope, and Updated Aesthetics…)

As my readership begins to gradually diversify a bit, I’ve noticed lately that I’ve been fielding more questions about what the theme and purpose of this website is. I’m aware that it’s not always completely evident from one entry to the next what, if any, is the connection between them…. So, this is probably a good time to establish the ground-rules…

My theme with LeVautourChronique is intentionally and by its nature pliable, but there are definite guidelines, and I feel that thus far I’ve adhered to them fairly consistently. Basically, this is an Arts and Culture blog dedicated to the Poetics and Politics of Identity. Critically, I’m of the belief that all Artists and public figures (and most individuals in general, whether consciously aware of it or not) are actively engaged in a project (or projects) of Identity-Construction, and that for artists this often even goes so far as being a facet of their catalog, one of their primary artistic creations (sometimes even their master-work, the larger piece that all of their other works are merely elements of… I’ve done academic work attempting to assert this about Walt Whitman, for instance.) Therefore, on this site, critique of nearly any element of art, culture, society, myself, my projects, daily life, etc is and has been fair game, as long as it is viewed, observed, and analyzed through this lens.

Now then, over seventy entries in and with those parameters finally clarified, I want to also make it clear that, when I started this site, I never intended to be the sole contributing writer to it in the long-run. My ideas for this site and reasons for establishing it, like most projects, seemed to require to be done in stages, and I think that it’s time to move a small step up that ladder.

So, from this point forward, consider this an open call. Keep in mind the theme just discussed (to reiterate, in a nutshell: An Arts and Culture blog dedicated to the Poetics and Politics of Identity and Identity Construction), let your mind spin, and send me some essays, reviews, musings, guerilla-journalism, poetry, abstract creative writing, whatever. I want it to be known, too, that I’m not only speaking of or to my close friends or frequent collaborators here; this is open to ANYONE if I think that your ideas fit well with what we’re trying to do and say on this site (…although part of me would like to start off with a couple contributions from artists/ writers in my own inner circle that I know and trust, just to test the water a bit [wink wink, get at me, kids.]…)

To get a few potential F.A.Q.’s on the subject out of the way…

Will you get paid for contributing your writing to LeVautourChronique? Yes and no. You will get paid in the same way that I get paid for maintaining the site. For the time-being, therefore, your compensation comes in the form of promotion, readership, networking, the free exchange of creative ideas, etc.

Will contributions published here be limited exclusively to ideas and opinions that agree explicitly with my own? Absolutely not. In fact, a desire for differing ideas is one of the driving forces behind my interest in the inclusion of additional writers. Open dialogue is definitely one of my goals here. Contributions from authors other than myself will feature by-lines, and probably an introductory blurb so as not to confuse my own thoughts with those of others. I will not, however, publish here anything perceived as intolerant, ignorant, or unnecessarily negative, however well you might think that your writing with those traits might adhere to the blog’s theme.

Will I stop posting my own work here once I start accepting contributions? Absolutely not. This will still primarily be my blog, and primarily the online home of my own ideas, reviews, and essays. In fact, you will most likely notice that the next few posts are still my own, as I have a handful in the works and partially written… and that won’t mean in any way that I’ve dismissed the idea of accepting contributions, either.

How do I submit my contributions, or send additional questions, comments, or feedback? The best way is to email me, at bernard.levautour@yahoo.com.

With a newly-clarified mission-statement, and a widened scope for future entries on this site, I think that this is also as good a time as any to introduce a bit of a new look to L.V.C. I am therefore retiring the awkward/ outdated quasi-unintentionally phallic-looking B+W vulture logo (I’ll leave it up until the next post, in case you haven’t a clue what I’m referring to…) and replacing it with a brand new and far more appropriate-feeling logo(the aesthetic tone around here has evolved with the blog, I feel…)…




…which features an image from my portfolio of Miss Chloe Claustrophobia (herself a conceptual-art project pertaining to the theme of Identity-Construction) digitally modified in collaboration with Sara Jane of Alloy Images/ Swords We Swallow / Tipsy Cougar (who is also my wonderful and supportive girlfriend.).

So, stay tuned. Click the “Follow” link at the top of the page. Contribute your writing. Help this site become a home for active, constructive, and creative dialogue. In the meantime, enjoy my rants and rambles more thoroughly now that you hopefully have a better understanding of why I post them here.

Thanks for reading.


-Bernard P. Provencher LeVautour

Wednesday, October 3, 2007

A show review, or a review of shows in general? (Preface)

This is not a music-blog. There are far too many sites floating around the internet dedicated solely to concert and record reviews, thus I feel that my addition to that dogpile would be superfluous.

However, this blog IS dedicated to multi-medium art-criticism, and as a musician and a reluctant (and extremely critical) music "fan," music IS one of the multiple mediums that this blog occasionally covers.

As an art critic who is versed and educated primarily in literary scholarship, the scope and format of the majority of mainstream, journalistic music reviews are of very little interest to me. My attempt with the "reviews" that I post on this site, therefore, is more akin to what I consider to be viable and noteworthy literary criticism. The goal of this, in my eyes, is not to merely explain and cast judgement on the work being examined, but to use the individual work as an example to demonstrate broader, more "important" topics about art and culture in general.

Therefore, I have several "reviews" slated for this blog of shows that I have recently attended/ will attend and records that have recently been released. This has mostly come about because, as I wrote among scribbled notes about the performers and the crowd while sitting at the bar between acts at a recent show that I attended, "I seem completely unable to leave my work at home lately" (as anyone who's recently spotted me sitting at various pubs around Phoenix on busy nights with stacks of books and notebooks in front of me can attest to). So, I may as well make critical use of the ideas that strike me, and scribbles that I go home with, when I go out at night, right?

My first entry (or set of entries) of this nature, for which I'm currently sifting through a hap-hazard set of notes, will address questions of the purpose of entertainment and entertainment "scenes" (and, yes, the identity-constructions that come about by way of them) as they pertain to two recent shows that I attended (the first couple that I had been to in quite a while); Today is the Day, et al, at the Stray Cat, and The Red Elvises at The Rythm Room.

And, the next time that you're out in Phoenix and see the wierdo sitting amidst the crowd at Rosie Mcafrees or the Dubliner studying for the GRE's or editing a thick packet of dry typescript with illegible scribbles all over the margins, stop by and say hi.