New Music (Tonal Couture, Solo-stuff, Snazzmobb)

A few music updates. I've been pretty busy as a musician lately. Here's some stuff I've been working on.

Snazzmobb is still plugging away at refining our set, now that we've finally settled into a refined bass/ drums/ keys trio arrangement... we're currently polishing edges and editing our press-kit, hoping to start shopping it to venues and promoters soon. I'm not going to lie, it's been a tumultuous year for the outfit, with quite a few strange setbacks befalling the initial lineup I set up a year ago this month, with the intent to fast-track the act to playing out quickly and often by mid-winter of last year. Through that time-period, we ended up writing a set three times longer than it needed to be, featuring songs from all the various phases of the band's still young, yet already rocky, lifespan. That long-form set meandered and wandered, was probably interesting in some ways, but not at all moments what we had initially set out to do. We've recently sliced that set by a third, leaving the content that reflects what we sound like NOW, and we're really happy with what we're almost ready to unleash. Accordingly, the demo that we recently released already feels outdated, as it was recorded as a duo with a bit of a different focus... I hope to drop some sort of an accompanying single soon to demonstrate the current feel of our content.

I recently also started playing with a downbeat instrumental dub act on the seacoast, called Tonal Couture. This project is POLAR opposite from Snazzmobb, and I LOVE that. While the snazz is a rambunctious, high-energy, venue-focused dance act, Tonal Couture is super relaxed and ambient, better suited for swanky martini-lounges and chill-out-rooms. It's fun to play, and fun to listen to. We record our sessions, and we've made select cuts available on our Bandcamp page, as part of the possibly-fictitious un-album (quickly becoming a bizarre future box-set of some sort), called "Future Rarities and B-Sides Without A-Sides." There are 12 tracks up at the moment... check them out, and enjoy.



Also, I've started working on a post-LeVautourEnsemble phase of solo-content. This time around, I'm using my own name (well, sorta... I'm dropping this stuff as "Bernard LeVautour," which is how I've usually billed myself in recent musical-projects) and promising myself to drop the "experimental" schtick and finally make music that I would actually want to LISTEN to. Expect sparse, down-tempo electro-jazz type stuff, mostly... because that's what I tend to actually be most into. Here's the first track I dropped to debut that sort of content...

A bit of a personal update...

I have received my acceptances, weighed the options, narrowed the field, and eliminated some question-marks… I have decided to pursue the first phase of my graduate school education at the University of New Hampshire this fall.

I have registered for classes, and begin in Durham at the end of August, which means a relocation from Manchester (the home of Metro-grime) to the beautiful New Hampshire seacoast. Sara and I have been apartment-hunting, are coming daily closer to figuring out where to reside in the coming months, and will hopefully be moving from the Tipsy Cougar Pad into a new comfortable and creative Swords We Swallow Studios (presumably somewhere in the Dover area… we’re currently leaning toward a complex with an appropriately [if a bit cheesy] Literature-inspired name) by mid-June.

Needless to say, I’ve been pretty busy the last few weeks, what with visits to campus offices, apartment-scoping, searching for a Portsmouth-area restaurant-job… but I’ve still had a couple of entries for this site in the works… one involves an update on Swords We Swallow, with a web-address, audio, release-information, and videos, which I’ve somehow still found some time to put together… and another that pertains to Lady Gaga (pop-music as post-modern performance- and identity- art).

So stay tuned.